Byredo’s Mojave Ghost (2014)

Byredo's Mojave Ghost (2014)
Byredo’s Mojave Ghost (2014) © Victor Wong

I remember how disappointed I was when Mojave Ghost came out in 2014. It smelled pale, non-descript, something sweet, something faintly floral and fruity. Actually, this is what I get now; two years ago it was just a sweet nothing scent to me. I also remember when it debuted my fraghead coworker and I went to sniff it, and I said I didn’t find it interesting at all, but she said, “Oh really, I think this scent is so you.”

Two years later, out of boredom, I re-smelled again in a department store and suddenly I found it very attractive. The nuances that I didn’t detect all became vivid. Maybe on that day it was the first bottle I sniffed and my nose was very sensitive.

To me, Mojave Ghost is a bottle of irony. Firstly, It is supposed to be a soliflore, a fragrance that mimics the scent of a type of flower that blooms in the harsh condition in the Mojave desert. But I doubt most anyone has smelled it before. Has the perfumer succeeded in bringing you the scent of that flower with her creation? No one knows. Secondly, the nature of this scent is of a vague fruity floral perfume, kind of like the soft sweet scents of cactus pears or sugar-apples, but unnaturally, this perfume lasts and lasts for a whole day. My deduction is that in this perfume they use some very powerful and long lasting synthetic aroma chemicals or boosters to make it stick. A perfume that smells pale, subtle, rather complex and smooth but has such powerful longevity and yet no hard edges, is quite impressive to me.

At one point I wanted to learn perfumery and have bought an aroma chemicals starter set to play with, but I just didn’t have the time and diligence to explore. I don’t know how challenging it is to make something like Mojave Ghost, but I feel like you have to be a very well-trained perfumer to come up with something like it.

P.S. I got my bottle from eBay brand-new at a very good price and was surprised by the deal. Maybe it didn’t sell very well?

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Byredo’s Bullion (2012)

Byredo Bullion (100ml, EDP)
Byredo’s Bullion © Victor Wong, 2013

Slowly I’ve learned that the smell of leather in modern perfumery comes from a mixture of different aroma-chemicals (very likely birch tar is involved), but not something one would get from, say, soaking a stack of leather hides in some extraction solvent in a sink.

I tend to like perfumes with a touch of the leather note, not a full-fledged leather-themed perfume like Chanel’s Cuir de Russie. (Although I must say it’s a masterpiece.) Leather-themed perfumes are often too “sticky” and too butch for me.

Then there’s the smell of suede in perfumes that I find softer, lovelier, but also unsettling. I often associate the smell of suede to fine, supple furniture or luxury leather accessories, and it gives me anxiety that I might ruin them or nick them with my clumsy ass and Edwardscissors hands.

To make things even more unsettling, when a perfumer adds fruity notes to a suede-themed perfume, such as Serge Luten’s Diam Blond – you have an untreated white suede sofa spread with apricot jam, not only my ass would scratch it, it sticks to it.

I blind-bought Byredo’s Bullion in 2013 on eBay because at that time it was not available in North America and I was very into that brand. I had very little idea what it might smell like despite I had been reading the fancy marketing copy on their website over and over again while waiting for the bottle to arrive.

I tell you, Bullion, was so strange to me – a plum suede. Yes, the smell of slightly sweet gooey plum, spread on some leather/suede, then sprinkled with sweet indolic osmanthus that also smelled like plum and apricot. I wore it to work, and my coworker said, “You smell so nice,” while my stomach was ready to flip and hand me back my breakfast. And the scent lasted a whole day without too much development.

Well, years have passed and my taste and acceptance of certain perfumes/accords have changed. I occasionally wear Bullion and find it very well-blended, quite unusual, and luxurious-smelling. I just make sure I don’t have a full stomach when I wear it.

Amouage’s Jubilation 25 for Women (2008)

Amouage's Jubilation 25 for Women, EDP © Victor Wong
Amouage’s Jubilation 25 for Women, EDP © Victor Wong

The joy and awe of wearing Amouage Jubilation 25 for Women for the first time is similar to receiving a brand new car of your favorite color named The Goddess of Aldehyde. As you sit in the comfortable back seat, a LCD screen pops up and a mini documentary (narrated in a sexy French voice) of how this car got its perfect multi-color perfumery paint job starts to play…

Mists of aroma get applied to the body layer by layer, first with a feathery light base coat of resins, musks and golden amber, then slightly darker and richer colors of patchouli, rose and incense, not very strong, but they are there. Lastly, fine mists of ylang, lemon and tarragon, whitened to a pastel palette by the powdery labdanum, gives it a smooth warm fruity hue. A final layer of aldehyde is applied to give it a bright and light sheen. No dripping, no fingerprints, just gloss and the reflection of your smile.

The LCD panel slowly sinks back in, and you are greeted by the look of yourself in the rear view mirror finding a glamorous, not bitchy, sophisticated woman, even if you are a man. Now, reach in your invisible handbag and get that pair of retro sunglasses and Hermes scarf and wear them. Yes, perfect.

Sorry, I got carried away. Yes, men can wear it. I think.

I can’t stress how much I love aldehydic perfumes, with Arpege being my number one. Now with Jubilation 25, I’m afraid there is going to be a spectacular WWE fight between the two Victorian ladies, slapping each other’s face with their pocket folding fans. Jubilation 25 doesn’t smell revolutionary, actually almost like a tribute to all fine aldehydic chypre perfumes of the 80s – except that the materials smell richer and yet the perfume wears lighter – how strange is that?

Robert Piguet’s Petit Fracas (2010)

Robert Piguet Petit Fracas © Victor Wong
Robert Piguet Petit Fracas © Victor Wong

Hong Kong in the eighties had only one good English TV channel and they always showed popular American and British sitcoms. I used to watch some Roseanne with my sister, (the Chinese title of Roseanne was “Fat Mama’s Dairy”) and she once said, “I don’t get it, how come the parents are so big and their kids are so skinny?”

Well, my lovely friend Fracas has a daughter and she named her Petit. She has all her mother’s genes, looks almost identical to her mom, but really, not petit. She is almost as big as her mom, but cuter and younger. In their fabulous super-femmed-up home and you will find lovely photos of them enjoying some quality times together: one shows them making chocolate cupcakes together, one shows them spreading chocolate icing on a chocolate cake, and oh, a baby photo of Petit with chocolate pudding all over her face. You really can’t help but notice that Petit Fracas has a serious sweet tooth for chocolate.

If you’ve watched the Youtube footage of Joe Carces, the CEO of Robert Piguet, explaining why he created Petit Fracas, you would know that his daughter in her thirties does not like Fracas. (I can relate to her; It took me some time getting used to it before loving this famously huge tuberose fragrance from the fifties.) To convince her to wear Fracas, he added chocolate and pear notes to make it more romantic and youthful. However, he denied Petit Fracas being a flanker to the original Fracas. And I wanted to tell him that naming it Petit was quite a genius marketing move; it creates an illusion that you are wearing something light but in fact, it is almost as heavy as the original Fracas, and when are sick of chocolate, step up to the real thing.

Inspiring Perfumes Series Pt. 8 – Guerlain’s Mitsouko (1919)

Guerlain Mitsouko © Victor Wong
Guerlain Mitsouko © Victor Wong

[I want to write about some of the perfumes that have influenced and led me to the creation of my perfume brand, Zoologist Perfumes. They have sparked ideas and given me new understanding about niche fragrances and the marketing of them.]

Pt. VIII. Synthetic Notes in Perfumery – Guerlain’s Mitsouko

A fish that was thought to have gone extinct 66 millions years ago was discovered in 1938 on a local fishing trawler. Nicknamed the “Living Fossil”, coelacanth has no close relations alive, and was thought to have evolved into roughly its current form approximately 400 million years ago. Many scientists believe that the unique characteristics of the coelacanth represent an early step in the evolution of fish to terrestrial four-legged animals like amphibians.*

That was a major discovery in the world of natural history, but my “living fossil” discovery in the perfume world was Guerlain’s Mitsouko (1919).

A perfume created almost 100 years ago and is still in production, Mitsouko is a resilient survivor in the vast sea of perfumes. I can walk into any major department store and buy a bottle of Mitsouko, and I do not need to worry too much about it getting discontinued any time soon. Perfumistas, especially die-hard Guerlain fans, regard Mitsouko as a classic, and if you meet one, they will probably yap about it. Well, I only knew about Mitsouko through reading Luca Turin’s perfume review book. When I first started exploring perfumes, I was overwhelmed by the amount of perfumes out there, had never heard of the brand Guerlain, and got obsessed with testing out Le Labo and L’Artisan Parfumeur samples, and sniffing Byredos and Tom Fords.

To be honest, I am never too crazy about Mitsouko. I think it’s an acquired taste. I remember just before smelling it the very first time, I stood in front of the Guerlain counter, looking at the French-toast-shaped bottle, and thought, “This is it. This is the legendary perfume.” I had such high expectation for it and my mind was all prepared for the most amazing scent ever, and when the scent hit my nose, I didn’t know how to react. I was stunned by something so unexpectedly non-contemporary – it’s not exactly floral, not exactly powdery, not exactly sweet, not exactly fruity, not Chanel No. 5-style aldehydic… if all the perfumery keyword words were represented by circles in a Venn diagram, Mitsouko fell right outside of the chart, not belonging to any category. (That’s because I was a newbie and didn’t know what a chypre perfume was, but again, if you ask me to show you a typical chypre now, I wouldn’t not pick Mitsouko but Estee Lauder’s Knowing.)

So getting acquainted with Ms. Mitsouko was a valuable lesson for me, as if I had got a “vintage perfume vaccination shot” – bring it on, I can love all vintage perfumes! (Hugging Lanvin’s Arpege so hard till she says let go of me.)

One interesting tidbid of information about Mitsouko that I learned from reading Roja Dove’s “The Essense of Perfumes” was its first use of Aldehyde C 14 in fine perfumery. Mitsouko is quite famous for its peachy note, and it is Aldehyde C 14 you are smelling. I haven’t seen anyone complain about it but praise it. On the Internet I have seen quite a few people who think that a perfume must smell better if natural ingredients are used instead of synthetics. I used to think that way too, but Chris Bartlett, the perfumer of my perfume Beaver, wrote in an interview** that he thinks that synthetics are very important in modern perfumery because if a perfume is all natural, the smell couldl easily turn “muddy”, and a modern fragrance needs an artificial skeleton to support it.

A lot of niche perfume companies like to emphasis the use of uncommon or hard to harvest natural ingredients and charge a hefty price, while I am sure they bring something special to the perfumes, but look at Mitsouko, a relatively simple perfume (according to Roja Dove), archieving the classic status with the use of a brave new synthetic note of the time and masterful perfumery skill.

Source:

* Coelacanth, Wikipedia

**Aroma Chemicals and the Indie Perfumer, an Interview with Chris Bartlett of Pell Wall Perfumes. Basenotes.net

Inspiring Perfumes Series Pt. 5: Creed’s Aventus (2010)

Youtube Review of Aventus by Jeremy Fragrance
Youtube Review of Aventus by Jeremy Fragrance

[I want to write about some of the perfumes that have influenced and led me to the creation of my perfume brand, Zoologist Perfumes. They have sparked ideas and given me new understanding about niche fragrances and the marketing of them.]

Pt. V. What Does a Perfume Mean to Men and Women? – Creed’s Aventus

After spending three years reading posts on various Facebook fragrance groups and perfume review sites on an almost daily basis, I have noticed a huge difference between non-editorial posts made by men and women.

My observation tells me that men are more obsessed with their perfumes, such as their manufacturer batch numbers, and are more eager to show off what they have on Facebook. But the amount of details are often lacking, resulting in just a “Scent of the Day” photo of their perfume sitting on a kitchen counter, with a comment like, “This juice is amazing”. We already know that men are “visual”, may be a photo is really all you need to communicate with other men, just like if you post a photo of yourself sitting in a Porsche with a babe feeding you a banana, what really do you need to write about? “This banana has a linear fragrant indolic tropical fruity note, but it has a soft silky smooth texture. (Almost too slippery.) It is best eaten on a cold winter day, highly recommended”?

In a male-dominated group, I feel like the quality of a fragrance is often judged by how cool the bottle and the packaging look, how expensive it is, how hard it is to get, and how often it appears in the group. Of course, the fragrance itself needs to be good enough for a hype storm to form, but once it has started, it seems almost unstoppable. The best example I’ve seen is Creed’s Aventus. I don’t own a bottle, but the amount of “love” and Scent of the Day posts it has gotten makes it impossible not make you at least smell it at a department store once. Just two days ago before I wrote this post I saw a man buying a bottle at a department store without sniffing it for more than a split second. He told the sales that everyone said good things about Aventus online.

The Lady of Shallot (1888) by John William Waterhouse
The Lady of Shallot (1888) by John William Waterhouse

Posts made by women are a different animal. A photo of the actual perfume bottle is not necessary, but the quality of the writing and the imagery that it provokes do make a difference. (A panoramic landscape photo or an exotic painting complementing the review always help.) Where would this fragrance take you to? An enchanted garden with wisps flying around you? An unforgettable encounter with a romantic medieval knight who invites you to a grand ball and breaks your heart with some mercilessly hard bottom notes? A thorny dark rose that wraps around you like a soft blanket? Wearing this you’ll meet a tall dark stranger…

A few years ago I read an article on the differences between public toilet stall graffiti made by men and women. Studies found that men were more likely to write insults and nasty comments, and doodle penises to reinforce their dominance. For women, the washroom was a sacred place of reflection and confession, and they more often wrote about relationships, religion and philosophy.

Furthermore, I have watched a crowd-funding pitch video by a woman who wanted to create some “engineering toys for girls” called GoldieBlox. The toy set included a board with a grid of holes, some spinners, rods and ribbons and a book of challenges. Note that it’s a book, not instructions on a single-sided piece of paper. The creator said that boys liked building and girls liked reading; if you pour a bucket of Lego blocks on the floor that might not be enough to entice girls to play. You also give them something to read along.

These two seemingly unrelated pieces of information might explain a little about the phenomena I see online. I wonder, for my perfume to succeed, maybe it needs both a rocking packaging design and a potential story for people to tell?

Frederic Malle’s Le Parfum de Therese by Edmond Roudnitska (2000)

Frederic Malle's Le Parfum de Therese © Victor Wong
Frederic Malle’s Le Parfum de Therese © Victor Wong

My coworker’s father was a chef at a Chinese restaurant.

“You must be the luckiest girl in town! Your home-cooked meals probably taste like restaurant’s.”

“I don’t remember what my father’s cooking tastes like.”

“How come?”

“He works for a high-stress restaurant. When he is at home, he rarely touches the stove. My mom does all the cooking.”

“He must have cooked for your mom, at least?”

“Yes, he likes to cook my mom’s favourite dish, scrambled eggs.”

“Doesn’t sound too challenging, does it?”

“It’s no ordinary scrambled eggs.”

And this was one of the reasons why I had always wanted to get a bottle of Le Parfum de Therese, by Edmond Roudnitska. He created this perfume just for his wife in the mid 50’s. Frederic Malle had always wanted to hire Mr. Roudniska to create a perfume for his own line, but it was impossible for he had already passed away in 1996. After he learned about Mrs.Therese Roudnitska’s private blend, he sincerely asked her if he could use the formula under her husband’s name, and she obliged.

I’ve always wondered, under which scenario did Mr. Roudniska create this perfume:

1) He knew what his wife liked, and made it just for her;

2) He wanted to create something not to please his clients, but for himself only, and gifted it to his wife; for all artwork needed an audience.

As a video game artist, 99% of my “artwork” are commercial, and I know creating art for others and creating art for myself are two completely different things. There’s a certain romance and mystery imbued in Le Parfum de Therese.

And the scent itself is really “strange”, by today’s standard and yesterday’s standard. The accords in this fragrance are as weird as the ingredients found in the TV cooking show “Chopped”, where contestants have no idea what the secret ingredients are, and at the end you have to make a meal out of them. In this case, you open the basket and you find: a cantaloupe, some plums, a pair of leather gloves, and a set of dumb bells. Le Parfum de Therese is a metallic melon perfume with rose and patchouli as back drop.

When I first smelled it two years ago, I could not stand it; but I was very attracted to it. After I’ve got Le Labo’s Neroli 36 and conquered the metallic accord, I was ready for Le Parfum de Therese. A year ago I gave my only sample to a friend for I knew I would get a bottle eventually. I even remembered what it smelled like. As always, the price of a Frederic Malle bottle is very prohibitive, but recently I’ve found a reason (sort of) to buy it, and there are no regrets.