I’ve watched quite a few home renovation TV shows that teach people how to make furniture look like vintage pieces. You paint it, scratch it, score it, and even beat it with a chain like torturing a prisoner in the Middle Ages, and the end result is convincingly good. Making new things look old is nothing new, and the technique is an art by itself.
Interestingly, Orica Legrand’s Relique d’Amour (2012) is a perfume that gives me the feeling that I am smelling a new creation that was designed to smell antiquated. It smells of big institutions with a long history, sturdy furniture built with solid oak and traditional craftsmanship, and that has endured years of usage and occasional polishing. This is a grand feeling, like entering a huge library and being humbled by the massive collection of knowledge and bookshelves, or visiting a monastery and bewildered by the devoted monks who manage to maintain the dignity of their living quarters without saying a word.
Essentially Relique d’Amour is a woody perfume, but what you get out of it may depend on your age, your background, whether your country had been ruled by the British or not, and also mainly your imagination. You might find it smell like a TV amoire and nothing more, but to me, it brings back memories of me being an apprehensive Catholic primary school student standing in front of the whole class trying to recite traditional British nursery rhymes that I had no clue what they were about.